Snapper purchased the masters to Glitter’s catalog in January 1997, several months before the singer’s legal problems began with the discovery of child pornography on his laptop and in his home.
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“We’ve had no contact with him.” The song consistently attracted filmmakers and TV showrunners long before “Joker,” landing in “Meet the Fockers,” “Boyhood,” “South Park” and “The Office.” “People generally come to us,” added the spokesman. “Gary Glitter does not get paid,” said a spokesman for Snapper in London who asked to remain anonymous. Film music supervision is an art - songs are not chosen randomly.”įor “Joker,” much of the criticism is centered on assumptions that Glitter was personally profiting from its use in the film, but Glitter sold away all his rights to the recording and publishing of “Rock and Roll Part 2,” co-written by the late Mike Leander, as well as his other songs more than two decades ago, according to Snapper Music, the London-based label that now owns Glitter’s master recordings. “But it really all comes down to character and story. “There’s so much incredible music out there, it feels like a good idea to try to elevate other work rather than use a song with a tainted history,” says Ramos, who licensed Glitter’s song for the comedy “Happy Gilmore” in 1996, before his criminal troubles began. In Hollywood.” When the filmmakers were assured that no one connected to Manson would receive royalties, they moved forward. Mary Ramos, a musical collaborator with director Quentin Tarantino for 25 years, recently grappled with including a song written by Charles Manson in “ Once Upon a Time. Phillips, who directed the smash bro-comedy “The Hangover,” appears comfortable thumbing his noise at propriety: In 1993, he made a documentary on the late, self-mutilating punk-rock extremist GG Allin and as “Joker” rolled out last week amid a storm of concern about the film’s perceived incitement to violence, Phillips lamented the difficulty of creating comedy amid the rise of “woke culture.” responded to requests for comment on the song’s inclusion.
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Neither Phillips, music supervisor Randall Poster nor the movie studio Warner Bros. “I will pass on paying to see #JokerMovie until they remove convicted pedophile Gary Glitter’s song or donate royalties from it to a child abuse charity,” posted And tweeted: “So when you buy a ticket remember who’s getting some of that.” audiences,” while USA Today noted that Glitter “stands to receive royalties from the success of ‘Joker’ while he’s behind bars.”
The Daily Beast declared that the song’s inclusion “has shocked U.K. Critics in the media and on social media were quick to speak out. For some viewers, it’s a disturbing choice of song from director Todd Phillips, as Glitter (born Paul Gadd) is currently serving a 16-year prison term for sexual crimes against minors.
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